Thesis icon

Thesis

Dimensions of allusion synthesis affecting craft in the works of Huw Belling and in 20th and 21st century composition

Subtitle:
Portfolio of compositions and critical writing
Abstract:

This examination of my own works (presented largely in chronological order) and of related music by others, broadly concerns itself with appropriation and allusion on the part of twentieth and twenty-first century composers. It considers how the deliberate synthesis of existing works affects the responding composers' own output. To this end, whether surveying my own music or others', I do so within a four-pronged framework:

1. The philosophical premise and aesthetic of pieces which...

Expand abstract

Actions


Authors


More by this author
Role:
Author, Copyright Holder

Contributors

Department:
Faculty of Music
Role:
Examiner
Department:
Faculty of Music
Role:
Supervisor
Type of award:
DPhil
Level of award:
Doctoral
Awarding institution:
University of Oxford
Language:
English
Keywords:
Subjects:

Terms of use


Metrics



If you are the owner of this record, you can report an update to it here: Report update to this record

TO TOP