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Thesis

The symphonies of Charles Villiers Stanford: constructing a national identity?

Abstract:

Writing in 2001, musicologist Axel Klein concluded that Stanford’s reception history has been significantly impacted by the complicated national identities surrounding both the composer and his music. A lifelong devotee of the nineteenth-century Austro-Germanic tradition, Stanford’s status as an Irish-born leading figure of the ‘English’ Musical Renaissance has compromised the place that the composer and his musical output occupy within the history of Western music.

Stanford is well...

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Institution:
University of Oxford
Division:
HUMS
Department:
Music Faculty
Oxford college:
Lady Margaret Hall
Role:
Author
More by this author
Division:
HUMS
Department:
Music Faculty
Role:
Author

Contributors

Role:
Supervisor
Publication date:
2014
Type of award:
DPhil
Level of award:
Doctoral
Awarding institution:
Oxford University, UK
Language:
English
Keywords:
Subjects:
UUID:
uuid:6d16fac7-bb70-4ba9-bf0e-17c0a9f26ce5
Local pid:
ora:10169
Deposit date:
2015-02-25

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