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Proust, Hahn, and the art of song

Abstract:

In this article, Proust’s Du côté du chez Swann is read against Reynaldo Hahn’s lectures, Du chant. Two songs cited in the Recherche (Adieu and Sole mio) are analysed for the way in which they hark back to and at the same time complicate the scene of the drame du coucher. This scene is considered one of the fundamental « moments musicaux » of the novel, and is shown to be particularly striking for its description of judicious rubato

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Publication status:
Published
Peer review status:
Peer reviewed

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Department:
St John's
Role:
Author
Publisher:
Brill Publisher's website
Journal:
Marcel Proust Aujourd'hui
Volume:
12
Pages:
168-183
Publication date:
2015-01-01
Acceptance date:
2015-02-21
DOI:
ISSN:
1571-5647
Language:
English

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