- Abstract:
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Over the past hundred years, the operas of Claudio Monteverdi have become iconic symbols of the early music movement and have entered the canon of so-called great operas. The conventional explanation for their iconicity is that they are historically important works, the first to fully realise the potential of the operatic genre, and that they speak to us and relate to contemporary concerns. These definitions, though, are contingent on surrounding socio-cultural factors. Rather than trying ...
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- Role:
- Supervisor
- Role:
- Supervisor
- Institution:
- University of Oxford
- Oxford college:
- Queen's College, The
- Department:
- Humanities Division - Music Faculty
- Publication date:
- 2012
- Type of award:
- DPhil
- Level of award:
- Doctoral
- Awarding institution:
- Oxford University, UK
- URN:
-
uuid:0262dfba-c174-4e5b-bc91-12e7f5fb6e83
- Local pid:
- ora:6380
- Language:
- English
- Keywords:
- Subjects:
- Copyright holder:
- Gregory Camp
- Copyright date:
- 2012
Thesis
Monteverdi on the modern stage
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Authors
Contributors
+ Eric Clarke
+ Owen Rees
+ Gregory Louis Camp
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