- Abstract:
-
“Ithaca,” in which Leopold Bloom finally returns home at two am after his odyssey around Dublin, is both the most comfortingly familiar episode of Ulysses and the most disconcertingly bizarre. “Ithaca”’s representation of objects contributes much to the episode’s paradoxical mingling of domesticity and strangeness. This article juxtaposes Martin Heidegger’s evolving theories of objects and things with “Ithaca” in order to understand the “objective” style of the episode, and its role in this p...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Publisher copy:
- 10.1353/jjq.2016.0033
-
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- Publisher:
- University of Tulsa Publisher's website
- Journal:
- James Joyce Quarterly Journal website
- Volume:
- 54
- Issue:
- 1
- Pages:
- 119-147
- Publication date:
- 2018-08-09
- DOI:
- ISSN:
-
1938-6036
- URN:
-
uuid:f94d2fe1-2c0a-4e56-9a0c-bee6dc256e98
- Source identifiers:
-
614932
- Local pid:
- pubs:614932
- Copyright holder:
- University of Tulsa
- Copyright date:
- 2018
- Notes:
- Copyright © for the JJQ, University of Tulsa, 2018. All rights to reproduction in any form are reserved.
Journal article
Joyce, Heidegger and the material world of "Ulysses": “Ithaca” as inventory
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