Journal article
Gospel harmonies and the genres of biblical scholarship in early modern Europe
- Abstract:
- Early modern gospel harmonies have received little attention, mostly studied as poor precursors to modern synoptic criticism. This article reassesses the harmony’s significance by reconstructing its development c.1500-1700, reaching two conclusions. Firstly, it argues that gospel harmonies acted as a touchstone for critical intellectual developments such as the rise of scientific chronology. Secondly, it argues that the harmony’s transformation over this period, influenced by multiple overlapping disciplines, resulted in it becoming one of the most creative scholarly genres by the late seventeenth century. This interdisciplinarity was simultaneously the prime attraction of the harmony and the reason for its eighteenth-century decline.
- Publication status:
- Published
- Peer review status:
- Peer reviewed
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- Files:
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(Preview, Version of record, pdf, 276.3KB, Terms of use)
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- Publisher copy:
- 10.1017/rqx.2023.408
Authors
- Publisher:
- Cambridge University Press
- Journal:
- Renaissance Quarterly More from this journal
- Volume:
- 76
- Issue:
- 3
- Pages:
- 1027-1067
- Publication date:
- 2023-11-15
- Acceptance date:
- 2022-04-14
- DOI:
- EISSN:
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1935-0236
- ISSN:
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0034-4338
- Language:
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English
- Keywords:
- Pubs id:
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1259839
- Local pid:
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pubs:1259839
- Deposit date:
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2022-05-16
Terms of use
- Copyright holder:
- Kirsten Macfarlane
- Copyright date:
- 2023
- Rights statement:
- Copyright © The Author(s), 2023. Published by Cambridge University Press on behalf of the Renaissance Society of America. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited.
- Licence:
- CC Attribution (CC BY)
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