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Gospel harmonies and the genres of biblical scholarship in early modern Europe

Abstract:
Early modern gospel harmonies have received little attention, mostly studied as poor precursors to modern synoptic criticism. This article reassesses the harmony’s significance by reconstructing its development c.1500-1700, reaching two conclusions. Firstly, it argues that gospel harmonies acted as a touchstone for critical intellectual developments such as the rise of scientific chronology. Secondly, it argues that the harmony’s transformation over this period, influenced by multiple overlapping disciplines, resulted in it becoming one of the most creative scholarly genres by the late seventeenth century. This interdisciplinarity was simultaneously the prime attraction of the harmony and the reason for its eighteenth-century decline.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1017/rqx.2023.408

Authors


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Institution:
University of Oxford
Division:
HUMS
Department:
Theology Faculty
Sub department:
Theology and Religion Faculty
Oxford college:
Keble College
Role:
Author


Publisher:
Cambridge University Press
Journal:
Renaissance Quarterly More from this journal
Volume:
76
Issue:
3
Pages:
1027-1067
Publication date:
2023-11-15
Acceptance date:
2022-04-14
DOI:
EISSN:
1935-0236
ISSN:
0034-4338


Language:
English
Keywords:
Pubs id:
1259839
Local pid:
pubs:1259839
Deposit date:
2022-05-16

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