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An elephant in the room

Abstract:
Torn between a futurist vision of Pakistan, on one hand, and the desire for a conventionally historical narrative about its founding on the other, Muslim nationalism has always faced its past in the form of impossibility. As Devji discusses in this afterword, the essays in the special section “The Past for Pakistan” explore Pakistan's tormented relationship with history each in its own way, and whether this past is given the name of India or Islam. If Salma Siddique writes about the undecidability of origins in cinematic culture, Shruti Kapila demonstrates how Pakistan was imagined outside its own ideology and categories. Where Nayanika Mookherjee explores the different forms of historical amnesia and memory that define nationality in both wings of what was once Pakistan, Chris Moffat writes about the commemoration of transient and non-national pasts in the country's present.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1215/1089201X-7493931

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
History Faculty
Oxford college:
St Antony's College
Role:
Author


Publisher:
Duke University Press
Journal:
Comparative Studies of South Asia, Africa and the Middle East More from this journal
Volume:
39
Issue:
1
Pages:
226-229
Publication date:
2019-05-01
DOI:
EISSN:
1548-226X
ISSN:
1089-201X


Keywords:
Pubs id:
pubs:1047071
UUID:
uuid:e6c65c9c-a26f-4f72-9aa7-3e4ee1874df1
Local pid:
pubs:1047071
Source identifiers:
1047071
Deposit date:
2019-09-12
ARK identifier:

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