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Puisse

Abstract:

This little word that captures Derrida’s attention in H. C. pour la vie, that captivates him, that stops him in his tracks, that makes his heart skip a beat to the rhythm of the heart of the other might also mark the most decisive, if subtle, difference between them. It is not by accident that I use the word “decisive.” The stakes are high—in question is nothing less than the philosophy of possibility and impossibility, a central pivot on which art, politics, and life in all its forms turn. This puisse might just mark the moment, for Derrida, when Cixous arrives, when her thought happens to him like what in Politiques de l’amitié, he calls a “passive decision,” which, for him, means, “the decision of the other.” Of the absolute other in me, the other as the absolute that decides on me in me.” But how does he respond? Is Derridean deconstruction rendered powerless in the face of her toute-Puissance Autre of literature? Does he abandon himself to her mighty thought of puisse? Does he accept it?...

Publication status:
Published
Peer review status:
Peer reviewed

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Files:
Publisher copy:
10.5040/9798765132050.0031

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
Music
Oxford college:
Merton College
Role:
Author
ORCID:
0000-0001-6268-7950

Contributors

Role:
Editor


Publisher:
Bloomsbury
Host title:
Understanding Cixous, Understanding Modernism
Pages:
223-227
Chapter number:
23
Series number:
Understanding Philosophy, Understanding Modernism
Place of publication:
New York
Publication date:
2025-12-17
Edition:
1
DOI:
ISSN:
2637-9031
EISBN:
9798765132029
ISBN:
9798765132036


Language:
English
Keywords:
Subtype:
Chapter
Pubs id:
2279388
Local pid:
pubs:2279388
Deposit date:
2025-08-10
ARK identifier:

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