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Emotion, embodied mind and the therapeutic aspects of musical experience in everyday life

Abstract:
The capacity for music to function as a force for bio-cognitive organisation is considered in clinical and everyday contexts. Given the deeply embodied nature of such therapeutic responses to music, it isargued that cognitivist approaches may be insufficient to fully explain music’s affective power. Following this, an embodied approach isconsidered, where the emotional-affective responseto music is discussed in terms of primary bodily systems and the innate cross-modal perceptivecapacities of the embodied human mind. It is suggested that such an approach may extend thelargely cognitivist view taken by much of contemporary music psychology and philosophy of music by pointing the way towards a conception of musical meaning that begins with our most primordial interactions with the world.
Publication status:
Published
Peer review status:
Peer reviewed

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Institution:
University of Oxford
Division:
Humanities Division
Department:
Music Faculty
Role:
Author
ORCID:
0000-0001-6503-914X


Publisher:
Greek Association of Primary Music Education Teachers
Journal:
Approaches: Music Therapy and Special Music Education More from this journal
Volume:
5
Issue:
1
Pages:
50-58
Publication date:
2013-01-01
EISSN:
2459-3338
ISSN:
1791-9622


Keywords:
Pubs id:
pubs:847667
UUID:
uuid:a66afaff-8a19-4d7f-8f35-22f82c8f9772
Local pid:
pubs:847667
Source identifiers:
847667
Deposit date:
2018-05-25

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