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Beowulf and the hunt

Abstract:
The presence of hunting imagery in Beowulf has often been noted, but the significance of the figures of the stag and the wolf to the thematic design of the poem has yet to be fully explored. In this article, I first analyse the sustained presentation of the Danish royal hall as a stag, before exploring how the Beowulf poet exploited the various traditional associations of the wolf in the development of the figures of Grendel and Grendel’s mother. Finally, I consider the elaboration of the hunting imagery in the final section of the poem, which focuses on the Geatish Messenger’s account of the pursuit and killing of King Ongentheow by Eofor and Wulf, and the beasts-of-battle motif. The article concludes that the Beowulf poet made extensive use of animal and hunting imagery in order to ground his work in the lived experiences and fears of his audience.
Publication status:
Published
Peer review status:
Peer reviewed

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Files:
Publisher copy:
10.3390/h11020036

Authors


More by this author
Institution:
University of Oxford
Division:
HUMS
Department:
English Faculty
Role:
Author
ORCID:
0000-0002-3999-6533

Contributors

Role:
Editor


Publisher:
MDPI
Journal:
Humanities More from this journal
Volume:
11
Issue:
2
Article number:
36
Publication date:
2022-03-03
Acceptance date:
2022-02-28
DOI:
EISSN:
2076-0787


Language:
English
Keywords:
Pubs id:
1241731
Local pid:
pubs:1241731
Deposit date:
2022-03-03

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