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Journal article

Scoring the journey: listening to Claudia Molitor's Sonorama

Abstract:

Sonorama is a 2015 sonic artwork by Claudia Molitor, consisting of a number of audio files designed for listening on a train journey between London St Pancras and Margate, and a graphic score based on the composer's own ‘reading’ of this journey. This article analyses the relationship between the sonic and the spatial in the work, exploring how Molitor's site-specific composition interacts with its environment on multiple scales. By drawing on the strategy of ‘situated listening’ developed by Gascia Ouzounian, as well as urbanist language introduced by Richard Sennett, this article seeks to elucidate the relationship between a number of ‘nested’ spaces, present across varying realisations, and the political agenda that energises the work. Written in the midst of summer 2015's European refugee crisis, the work brings into sharp focus themes of British exceptionalism, immigration and inclusion.

Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1017/s0040298221000644

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
Music
Role:
Author


Publisher:
Cambridge University Press
Journal:
Tempo More from this journal
Volume:
76
Issue:
299
Pages:
44-56
Publication date:
2021-12-15
Acceptance date:
2021-09-16
DOI:
EISSN:
1478-2286
ISSN:
0040-2982


Language:
English
Pubs id:
2078529
Local pid:
pubs:2078529
Deposit date:
2025-10-07
ARK identifier:

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