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Journal article

Lyric and landscape in Rimsky-Korsakov’s songs

Abstract:

Accounts of Russian musical realism in the nineteenth century have tended to emphasize music’s connections to literature, whether in the form of operatic adaptations of plays and prose works, or of songs, such as those of Modest Musorgsky, described by the composer as “the reproduction in musical sounds not merely of the mood of feelings, but mainly of the mood of human speech.” Yet literature was not the only source of music’s realist aspirations. Realism in France, for instance, was initial...

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Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1525/ncm.2017.40.3.223

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Institution:
University of Oxford
Oxford college:
Wadham College
Role:
Author
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Funding agency for:
Bullock, P
Grant:
ANR-11-LABX-0027-01
More from this funder
Funding agency for:
Bullock, P
Grant:
ANR-11-LABX-0027-01
More from this funder
Funding agency for:
Bullock, P
Grant:
ANR-11-LABX-0027-01
More from this funder
Funding agency for:
Bullock, P
Grant:
ANR-11-LABX-0027-01
Publisher:
University of California Press Publisher's website
Journal:
Nineteenth Century Music Journal website
Volume:
40
Issue:
3
Pages:
223-238
Publication date:
2017-04-01
Acceptance date:
2017-01-08
DOI:
EISSN:
1533-8606
ISSN:
0148-2076
Source identifiers:
672342
Pubs id:
pubs:672342
UUID:
uuid:8cb4f65c-edef-4c43-b362-1fdb8c63e8ae
Local pid:
pubs:672342
Deposit date:
2017-01-23

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