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From perfect to preposterous: how digital restoration can both help and hinder our reading of damaged sources

Abstract:
Digital reproductions of manuscripts are now reasonably easy to obtain from a very wide variety of libraries, although persuading suppliers to meet the standards required for digital restoration - or even high-quality reproduction - is surprisingly difficult. As more researchers tackle image-processing to help them read damaged originals, the need for suppliers to meet a baseline standard is much greater. The paper examines a set of basic guidelines for requesting images for research purposes A demonstration of some 'virtual restoration' techniques on a variety of different types of damage as well as photographic techniques such as ultra-violet, infra-red and multi-spectral imaging as adjuncts to normal color imaging will also be discussed.
Publication status:
Published
Peer review status:
Peer reviewed

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Files:
Publisher copy:
10.31826/9781463228774-007

Authors


More by this author
Institution:
University of Oxford
Division:
HUMS
Department:
Music Faculty
Oxford college:
St Catherine's College
Role:
Author

Contributors

Role:
Editor
Role:
Editor


Publisher:
Gorgias Press
Host title:
Cantus scriptus: Technologies of Medieval Song: The Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age; 2010 Symposium
Pages:
125-142
Place of publication:
Piscataway, NJ, USA
Publication date:
2012-09-20
Edition:
1
DOI:
EISBN:
9781463228774
ISBN-10:
1463228775
ISBN-13:
9781617190568


Language:
English
Keywords:
Subtype:
Chapter
Pubs id:
1491466
Local pid:
pubs:1491466
Deposit date:
2023-07-12

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