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Strands which refuse to be braided: hair samples from Beatrice Blackwood’s Collection at the Pitt Rivers Museum

Abstract:
This article concerns hair samples collected in 1925 in the Ojibwe community of Red Lake, Minnesota, USA, now in the collections of the Pitt Rivers Museum, Oxford. It outlines the process of consultation with community members and of the discovery of the historical context and meanings surrounding the hair. These meanings are emotive because of the conjuncture of Ojibwe beliefs about hair with the history of the cutting and analysis of hair by Whites as part of attempts to control Ojibwe people in various ways. The article also explores the implications of current theory about material culture which sees artefacts as points of contact between peoples, and which focuses on tracing the movements and shifting meanings of artefacts as a way of understanding the relations between the peoples involved.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1177/1359183503008001763

Authors


More by this author
Institution:
University of Oxford
Division:
GLAM
Department:
Pitt Rivers Museum
Oxford college:
Linacre College
Role:
Author


Publisher:
Sage
Journal:
Journal of Material Culture More from this journal
Volume:
8
Issue:
1
Pages:
75-96
Publication date:
2003-03-01
DOI:
EISSN:
1460-3586
ISSN:
1359-1835


Language:
English
Keywords:
Subjects:
UUID:
uuid:7dcd8ab3-d608-4216-b0b2-79be29441b96
Local pid:
ora:3046
Deposit date:
2009-11-10

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