- Subtitle:
- the London opera libretto in the 18th-century
- Abstract:
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Of course, many scholars working on opera and music theatre well understand the nature and origins of an opera libretto - or do they? The seductive lure of the printed page is strong, particularly when there is a score to ‘match’, or when there is no thematic catalogue to provide even a basic chart to navigate around the treacherous waters of the output of even some major 18th-century composers. A libretto is, after all, not ‘music’ - ‘that’s all very well, but why aren’t you talking about...
Expand abstract - Publication status:
- Not Published
- Peer review status:
- Not peer reviewed
- Version:
- Author's Original
- Files:
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(pdf, 146.0KB)
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- URN:
-
uuid:737a3561-c20a-4b8d-9a74-43ad62301eb6
- Local pid:
- ora:5991
- Language:
- English
- Keywords:
- Subjects:
- Copyright holder:
- Michael Burden
- Copyright date:
- 2011
- Notes:
- Citation: Burden, M. (2011). 'Fluid texts, moving arias, shifting sands; the London opera libretto in the 18th-century. Paper presented at: Textual Manipulation, Bibliographical Society of Australia and New Zealand 2011 conference, 3-4 November 2011, The Barr Smith Library, University of Adelaide, South Australia.
Journal article
Fluid texts, moving arias, shifting sands;
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