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The free improvisation game: performing John Zorn’s Cobra

Abstract:
The use of improvisation is wide spread in musical practice around the world. Nevertheless, Western academic circles tend to ignore this ubiquitous activity and have maintained a focus on composition and interpretation. This is beginning to change, however, and the role of improvisation in performance and music education is receiving an increasing amount of attention. This paper contributes to this project by examining the practice of ‘free improvisation’ in a large ensemble context. A rehearsal and performance of John Zorn’s Cobra––a ‘game’ piece for improvisers––is analyzed from a first-person perspective; relevant research in music psychology is considered; and suggestions are made with regard to how we may better understand the nature of musical communication in improvised contexts. Pedagogical applications are also considered.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.21061/jrmp.v0i0.726

Authors


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Institution:
University of Oxford
Division:
Humanities Division
Department:
Music Faculty
Role:
Author
ORCID:
0000-0001-6503-914X


Publisher:
Virginia Tech Libraries
Journal:
Journal of Research in Music Performance More from this journal
Volume:
2013
Pages:
1-11
Publication date:
2013-05-29
DOI:
EISSN:
2326-1722


Keywords:
Pubs id:
pubs:853709
UUID:
uuid:6e29a9fd-84fc-4eb6-8bbd-9fbc47827923
Local pid:
pubs:853709
Source identifiers:
853709
Deposit date:
2018-05-25

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