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Heidegger and van Gogh’s Shoes

Abstract:

Martin Heidegger’s discussion of one of Vincent van Gogh’s paintings of a pair of shoes plays a critical role in the development of his philosophy of art. Few passages in Heidegger’s entire corpus have occasioned more controversy and commentary than his short discussion of this painting. Reception of Heidegger’s philosophy of art has, to a surprising degree, been shaped by a sharply critical essay published by the art historian Meyer Schapiro in 1968, entitled ‘The Still Life as a Personal Object—A Note on Heidegger and Van Gogh’. In the decades since, Schapiro’s critique has set the terms of the debate over Heidegger’s interpretation of van Gogh’s painting. The near consensus view seems to be that, as Jeremy Gilbert-Rolfe puts it, ‘every fact enunciated by Schapiro in that attack […] is correct’. In this essay, however, I show that it is closer to the truth to say that every claim Schapiro made in his attack on Heidegger is false. Ever since, both critics and defenders of Heidegger have uncritically accepted and repeated Schapiro’s basic factual errors. Once the record is corrected, this opens up space for a reappraisal of Heidegger’s engagement with van Gogh’s shoes, which I offer in the concluding sections of the essay.

Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1080/02666286.2024.2412352

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
Philosophy Faculty
Oxford college:
Corpus Christi College
Role:
Author


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Funder identifier:
https://ror.org/012mzw131
Grant:
MRF-2022-032


Publisher:
Routledge
Journal:
Word & Image More from this journal
Volume:
41
Issue:
1
Pages:
1-23
Publication date:
2025-05-09
Acceptance date:
2024-05-02
DOI:
EISSN:
1943-2178
ISSN:
0266-6286


Language:
English
Keywords:
Pubs id:
2031905
Local pid:
pubs:2031905
Deposit date:
2024-09-23
ARK identifier:

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