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Encountering publicness and multiculture: public pedagogy with a multilingual community choir

Abstract:
This article presents an ethnography of Lullaby Train: public art performances by a multilingual community choir in Melbourne, Australia. Singing lullabies on trains and platforms produced encounters that were notably distinct from those experienced within the Lullaby Choir itself, as well as in performances attended by self-selecting audiences. Lullaby Train was designed to revitalize particular modes of civic engagement, but instead produced conflicting forms of publicness and multiculture. Examining these performances as pedagogical sites, I argue that the quotidian interactions that characterize urban social relations provide important insights for the study and practice of intercultural music.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.5406/21567417.69.1.05

Authors


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Institution:
University of Oxford
Division:
HUMS
Department:
Music Faculty
Oxford college:
Somerville College
Role:
Author
ORCID:
0000-0003-2887-5821


Publisher:
Society for Ethnomusicology
Journal:
Ethnomusicology More from this journal
Volume:
69
Issue:
1
Pages:
51–76
Publication date:
2025-02-01
Acceptance date:
2024-10-07
DOI:
EISSN:
2156-7417
ISSN:
0014-1836


Language:
English
Keywords:
Pubs id:
2005442
Local pid:
pubs:2005442
Deposit date:
2024-10-18

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