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Vaporwave is dead, long live vaporwave!

Abstract:
Popular music subcultures have acknowledged, engaged with, or rejected digital platforms to varying degrees; their relationship to it is often made fraught, ambivalent and ironic by projections of the Internet as inauthentic or impersonal and their inheritance of Romantic-influenced countercultural aesthetics. The genre vaporwave offers a key example of this, especially given that it emerged and exists almost exclusively on digital platforms. Vaporwave addresses its own digital nature and historicity in sound and image, as recent scholarship on it has observed. Its life online represents not an abandonment of traditional formulations of the relationship between culture, technology and authenticity, but a new arena in which to negotiate them.
Publication status:
Published
Peer review status:
Peer reviewed

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Files:
Publisher copy:
10.1017/9781316676639.010

Authors


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Institution:
University of Oxford
Division:
HUMS
Department:
Music Faculty
Oxford college:
Christ Church
Role:
Author
ORCID:
0009-0008-4837-135X

Contributors

Role:
Editor
Role:
Editor
Role:
Editor


Publisher:
Cambridge University Press
Host title:
The Cambridge Companion to Music in Digital Culture
Pages:
119-123
Series:
Cambridge Companions to Music
Place of publication:
Cambridge
Publication date:
2019-08-30
Edition:
1
DOI:
EISBN:
9781316676639
ISBN:
9781107161788


Language:
English
Keywords:
Subtype:
Chapter
Pubs id:
1493876
Local pid:
pubs:1493876
Deposit date:
2023-07-19

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