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Determining authorship and editing early modern women’s manuscripts

Abstract:
Editing a woman writer has to start with establishing whether the writer is a woman, especially if the work is anonymous, using criteria such as the content of the writing, and the context of its preservation, given that there is a great deal of writing by men which adopts a feminine voice. Some kinds of writing do not signal the author’s gender at all, and female authorship is only indicated by external evidence. Women’s writing is often preserved as part of a coterie collection, and in this context, some women writers were keen to identify themselves, while others were apparently indifferent, or chose to conceal themselves. Particular problems are raised by texts which have been redacted by male editors, however sympathetic, since unconscious bias may affect how they understand, and therefore represent, the woman writer in question. Other problems with texts physically written by a woman are raised if they display idiosyncratic orthography or poor penmanship, since this creates major problems of how extensively a modern editor should intervene.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1007/978-3-030-01537-4_79-3

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
English
Oxford college:
Campion Hall
Role:
Author
ORCID:
0009-0002-8031-8627

Contributors

Role:
Editor
Role:
Editor


Publisher:
Palgrave Macmillan
Host title:
The Palgrave Encyclopedia of Early Modern Women's Writing
Place of publication:
Cham, Switzerland
Publication date:
2025-07-02
Acceptance date:
2020-11-20
Edition:
0
DOI:
EISBN:
9783030015374


Language:
English
Keywords:
Subtype:
Chapter
Pubs id:
2287945
Local pid:
pubs:2287945
Deposit date:
2026-05-14
ARK identifier:

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