Journal article
The Poundian Image and the Romantic Symbol
- Abstract:
- Critics since the 1960s have largely rejected Frank Kermode's view that Ezra Pound conceived Imagism as an anti-discursive mode of verbal pictoralism. Pound himself emphatically dissociated Imagism from Symbolism, which he regarded as cultivating vague semantic associations, and it is true that his poems of the early 1910s are concerned more with subjective juxtapositions of images than with their external referents
- Publication status:
- Published
- Peer review status:
- Peer reviewed
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- Files:
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(Preview, Accepted manuscript, pdf, 105.0KB, Terms of use)
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Authors
- Publisher:
- Fridericiana University Press
- Journal:
- La Questione Romantica More from this journal
- Publication date:
- 2015-12-01
- Acceptance date:
- 2015-09-09
- EISSN:
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2037-691X
- ISSN:
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1125-0364
- Language:
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English
- Pubs id:
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pubs:568017
- UUID:
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uuid:2a0cda75-71fb-48ed-aaf3-d6caa4b0ab68
- Local pid:
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pubs:568017
- Source identifiers:
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568017
- Deposit date:
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2015-10-01
- ARK identifier:
Terms of use
- Copyright date:
- 2015
- Notes:
- © 2015. An abridged version of "Symbolism, Imagism, and Hermeneutic Anxiety: A Response to Andrew Hay", published in Connotations: A Journal for Critical Debate, 23.1 (2013/2014), 127-39
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