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"Scientific Whigs"? Scottish Historians on the French Revolution

Abstract:
This paper places Leo Tolstoy's often dismissed aesthetic treatise, What is Art?, in the context of the philosophical debate concerning aesthetic judgment. I examine Tolstoy's argument for the very possibility of making aesthetic judgments, and suggest that his aesthetics proceed from an attempt to reconcile the subjective and the normative aspects of our aesthetic experience. Moreover, I show that Tolstoy, like Kant, seeks to preserve the autonomy of aesthetic judgment so that it may inform moral judgment. His polemics, his moralizing, and his denunciations of the greatest works of Western culture have tended to obscure this fact. © by Journal of the History of Ideas.
Publication status:
Published

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Publisher copy:
10.1353/jhi.2013.0008

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
History Faculty
Role:
Author


Journal:
JOURNAL OF THE HISTORY OF IDEAS More from this journal
Volume:
74
Issue:
1
Pages:
93-114
Publication date:
2013-01-01
DOI:
EISSN:
1086-3222
ISSN:
0022-5037


Language:
English
Pubs id:
pubs:349520
UUID:
uuid:1bf51bb7-647e-4176-a6a0-b915736c71d5
Local pid:
pubs:349520
Source identifiers:
349520
Deposit date:
2013-11-17
ARK identifier:

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