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Journal article

Embodying devotion: multisensory encounters with Donatello's Crucifix in S. Croce

Abstract:
The reception of art is often described in ocularcentric terms, but all five senses could engage devotional objects in late medieval and early modern Europe. This article explores this phenomenon by considering a wooden crucifix with movable arms made by Donatello for the Franciscan church of S. Croce in Florence in the early fifteenth century. It makes new suggestions about the work's original location, its possible patrons, and its functions and reception, especially during the rituals associated with Good Friday. It also reflects on the challenges scholars face when taking a multisensory approach to premodern visual and material culture.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1017/rqx.2020.217

Authors


More by this author
Institution:
University of Oxford
Division:
HUMS
Department:
History Faculty
Oxford college:
Christ Church
Role:
Author
ORCID:
0000-0002-4942-853X


Publisher:
Cambridge University Press
Journal:
Renaissance Quarterly More from this journal
Volume:
73
Issue:
4
Pages:
1179-1234
Publication date:
2020-12-23
Acceptance date:
2019-07-31
DOI:
EISSN:
1935-0236
ISSN:
0034-4338


Language:
English
Keywords:
Pubs id:
pubs:1068170
UUID:
uuid:0e1bf3cc-3534-4921-8031-8a81bdd130f7
Local pid:
pubs:1068170
Source identifiers:
1068170
Deposit date:
2019-10-30

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