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Till We Have Faces as myth and allegory

Abstract:
Till We Have Faces is widely regarded by admirers of C.S. Lewis as his best work of fiction, and also the most enigmatic. While it is not obviously didactic, most readers have a sense that a meaning lurks in it that cannot be ascertained by a conventional analysis of the plot, the observations of the narrator and her developing awareness of her own motives. It is argued here that Lewis, who was familiar with allegorical readings of the tale of Cupid and Psyche in Apuleius and with at least some later imitations, may have been sufficiently influenced by these precedents to conceive his own tale as a partial allegory, in which Orual represents the fleshly or somatic element in humanity, sharing both in the labours of the soul and in its ultimate redemption.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.3366/ink.2016.6.2.5

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Institution:
University of Oxford
Division:
HUMS
Department:
Theology Faculty
Sub department:
Theology and Religion Faculty
Role:
Author


Publisher:
Oxford C.S. Lewis Society
Journal:
Journal of Inklings Studies More from this journal
Volume:
6
Issue:
2
Pages:
113-138
Publication date:
2016-10-15
Acceptance date:
2016-05-23
DOI:
EISSN:
2045-8800
ISSN:
2045-8797


Pubs id:
pubs:625723
UUID:
uuid:0deb6579-4496-4d43-a99d-3129baf549c1
Local pid:
pubs:625723
Source identifiers:
625723
Deposit date:
2016-06-06
ARK identifier:

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