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The Cerne Giant in its early medieval context

Abstract:
The recent dating of the Cerne Abbas Giant came as a surprise. This huge, naked figure was cut into a Dorset hillside not, as many have supposed, in prehistory, nor in the early modern period, but in the early Middle Ages. This means that for the first time it is possible to place the Cerne Giant within a cultural context. In this article, we propose an explanation for when and why he was originally cut as an image of Hercules. We also argue that, contrary to conventional views, he is referred to in an early medieval source and that this, in turn, helps to demonstrate that by the eleventh century he was being reinterpreted in a surprising way, as Saint Eadwold. This is only one example of many such reimaginings, among which one of the most enduring is that he is neither classical hero nor saint but instead an image of the pagan god Helith. We end by showing how that idea came into being.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1086/727992

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
History Faculty
Oxford college:
Balliol College
Role:
Author
ORCID:
0000-0002-4270-1994


Publisher:
University of Chicago Press
Journal:
Speculum: A Journal of Medieval Studies More from this journal
Volume:
99
Issue:
1
Pages:
1-38
Publication date:
2024-01-01
Acceptance date:
2022-10-28
DOI:
EISSN:
2040-8072
ISSN:
0038-7134


Language:
English
Keywords:
Pubs id:
1319625
Local pid:
pubs:1319625
Deposit date:
2023-01-10
ARK identifier:

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