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On Gilgamesh and Homer: Ishtar, Aphrodite and the meaning of a parallel

Abstract:
This article reconsiders the similarities between Aphrodite's ascent to Olympus and Ishtar's ascent to heaven in Iliad Book 5 and the Standard Babylonian Gilgamesh Tablet VI respectively. The widely accepted hypothesis of an Iliadic reception of the Mesopotamian poem is questioned, and the consonance explained as part of a vast stream of tradition encompassing ancient Near Eastern and early Greek narrative poetry. Compositional and conceptual patterns common to the two scenes are first analyzed in a broader early Greek context, and then across further Sumerian, Akkadian, Ugaritic and Hurro-Hittite sources. The shared compositional techniques at work in Mesopotamia and the Eastern Mediterranean can be seen as a function of the largely performative nature of narrative poetry. This contributes to explaining literary transmission within the Near East and onto Greece.
Publication status:
In press
Peer review status:
Peer reviewed

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Publisher copy:
10.1017/S0009838821000513

Authors

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Institution:
University of Oxford
Division:
HUMS
Department:
Classics Faculty
Sub department:
Classical Languages & Lit
Role:
Author


Publisher:
Cambridge University Press
Journal:
Classical Quarterly More from this journal
Volume:
71
Issue:
1
Pages:
1-21
Publication date:
2021-05-25
Acceptance date:
2020-02-24
DOI:
ISSN:
0009-8388


Language:
English
Keywords:
Pubs id:
1126326
Local pid:
pubs:1126326
Deposit date:
2020-08-15
ARK identifier:

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