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Reality in America, redux: on Trump panic fiction

Abstract:
This essay explains why the election of Donald Trump in 2016 marks a literary historical event. In particular, I show how the liberal response to Trump, as well as Trump’s own persona, foregrounded an unsettling confusion between fiction and reality that led novelists to question the value of their craft. Focusing on a subset of what I call “Trump panic fiction”—novels that dramatize Trump’s election in the key of ontological alarm—I argue that literary depictions of Trump double as meditations on the relation between the evocative powers of art and the explanatory power of facts. To make sense of these meditations, I situate Trump panic fictions by Hari Kunzru, Ben Lerner, Lauren Oyler, Patricia Lockwood, and Ayad Akhtar within a longer history of US writers puzzling over the relation between writing and the real, a history that gained a new inflection when the critical acclaim of autofiction coincided with Trump’s “post-truth” presidency. Looking back to Lionel Trilling’s essay “Reality in America,” I claim that novelistic portrayals of Trump struggle to reinvent the liberal aesthetic for our current political moment.
Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1093/alh/ajae120

Authors


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Institution:
University of Oxford
Division:
HUMS
Department:
English Faculty
Oxford college:
Oriel College
Role:
Author
ORCID:
0000-0001-8001-1196


More from this funder
Funder identifier:
https://ror.org/012mzw131
Grant:
RF-2021-293


Publisher:
Oxford University Press
Journal:
American Literary History More from this journal
Volume:
36
Issue:
4
Pages:
1049–1075
Publication date:
2024-11-15
Acceptance date:
2024-05-30
DOI:
EISSN:
1468-4365
ISSN:
0896-7148


Language:
English
Pubs id:
2025419
Local pid:
pubs:2025419
Deposit date:
2024-09-04

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