- Subtitle:
- Quinault’s 'role' in reform opera on the London stage
- Abstract:
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London's opera season of 1746-47 must have seemed strange to the audience at the opera house. Under the direction of an unknown Spanish composer Domingo Terradellas, it consisted of only four operas: the pasticcio Anibale in Capua (a version said to be Terradellas's work), the composer's settings of Mitridate and Bellerofonte, Domenico Paradies' opera Fetonte, and some unspecified theatre dances. The musical and dramatic forms of all the operas were unusual, and their manner of employment ...
Expand abstract - Publication status:
- Not Published
- Peer review status:
- Not peer reviewed
- Version:
- Author's Original
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- URN:
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uuid:d8530100-4ce7-4e50-88bc-7a9bde6c5d0b
- Local pid:
- ora:5167
- Language:
- English
- Keywords:
- Subjects:
- Copyright holder:
- Michael Burden
- Copyright date:
- 2011
- Notes:
- Citation: Burden, M. (2011). Adapting Phaëton. Presented at: The American Society for Eighteenth Century Studies Annual Conference, Session 91, March 2011, Vancouver, Canada.
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Adapting Phaëton
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