- Abstract:
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The concerto enjoys a position of centrality within the oeuvres of many contemporary Nordic composers: the genre often functions as a vehicle for the exploration of advanced compositional techniques and aesthetic preoccupations, and the resulting works are well-represented on recordings and in the concert hall. Yet this repertory has largely been neglected in scholarship.
Through detailed analysis of works by Per Nørgård, Kaija Saariaho, Magnus Lindberg, and Pelle Gudmundsen-Holmgree...
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Some thesis volumes scanned as part of the digitisation scheme funded by Dr Leonard Polonsky are currently unavailable due to sensitive material or uncleared third-party copyright content. We are attempting to contact authors whose theses are affected.
- Funding agency for:
- James Nicholas Munk
- Publication date:
- 2011
- Type of award:
- DPhil
- Level of award:
- Doctoral
- Awarding institution:
- Oxford University, UK
- URN:
-
uuid:d4c79a2a-0836-4921-b33c-9a3fd2aa0f8a
- Local pid:
- ora:5984
- Language:
- English
- Subjects:
- Copyright holder:
- James Nicholas Munk
- Copyright date:
- 2011
Thesis
Agency, physicality, space: analytical approaches to contemporary Nordic concertos
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