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Journal article

The sideshow at the salon: Positioning the spectator and transforming spectacle in Fernand Pelez’s Grimaces et misère—Les Saltimbanques (1888)

Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.29411/ncaw.2018.17.2.6

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Division:
HUMS
Department:
History Faculty
Role:
Author
Publisher:
Association of Historians of Nineteenth-Century Art Publisher's website
Journal:
Nineteenth-Century Art Worldwide Journal website
Volume:
17
Issue:
2
Publication date:
2018-10-15
DOI:
EISSN:
1543-1002
Pubs id:
1087154
Local pid:
pubs:1087154
Deposit date:
2020-02-12

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