- Abstract:
-
Johannes, the eleventh-century glossator of Guido of Arezzo, is the earliest of several theorists who indirectly associate the semitone with cross-dressing, using a Vergilian citation about Phrygian men. Taking this as a starting point, this paper explores the gendered nature of sub-tonal intervals. The femininity of the semitone is initially a theoretical commonplace drawn from Greek antiquity, but in the context of medieval antifeminism on the one hand and the new placement and tuning of...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Publisher copy:
- 10.1525/mts.2006.28.1.1
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- Publisher:
- University of California Press Publisher's website
- Journal:
- Music Theory Spectrum Journal website
- Volume:
- 28
- Issue:
- 1
- Pages:
- 1-21
- DOI:
- EISSN:
-
1533-8339
- ISSN:
-
0195-6167
- URN:
-
uuid:c852f5de-b485-4989-aa18-edd908608bdd
- Local pid:
- ora:7938
- Language:
- English
- Keywords:
- Subjects:
- Copyright holder:
- The Society for Music Theory
- Copyright date:
- 2006
- Notes:
- The full text of this item is not available in ORA. You may be able to access the publisher's version by using the link above.
Journal article
Gendering the semitone, sexing the leading tone: fourteenth-century music theory and the directed progression
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