- Abstract:
-
In her seminal work, Authoritarian Fictions: Ideological Novels as a Literary Genre, Susan Rubin Suleiman emphasizes the co-optational dimension of romans à thèse, which seem addressed to readers who are already converted to the ideological perspective of these works. Political novels therefore tend to divide readers into two categories: proponents on the one hand, denigrators on the other. Based on a close reading of Runaway Horses (1969), Mishima Yukio’s most overtly ideological fictional w...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Files:
-
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(pdf, 0.0b)
-
- Publisher copy:
- 10.1215/03335372-7739085
-
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- Publisher:
- Duke University Press Publisher's website
- Journal:
- Poetics Today Journal website
- Volume:
- 40
- Issue:
- 4
- Pages:
- 683–698
- Publication date:
- 2019-12-01
- Acceptance date:
- 2017-11-01
- DOI:
- EISSN:
-
1527-5507
- ISSN:
-
0333-5372
- Pubs id:
-
pubs:836662
- UUID:
-
uuid:b5c67dc2-0465-4c05-9f3f-82fde3d3a609
- Source identifiers:
-
836662
- Local pid:
- pubs:836662
- Language:
- English
- Keywords:
- Copyright holder:
- Porter Institute for Poetics and Semiotics
- Rights statement:
- © 2019 by Porter Institute for Poetics and Semiotics
- Notes:
-
This is the accepted manuscript version of the article. The final version is available online from Duke University Press at: https://doi.org/10.1215/03335372-7739085
Journal article
Reading manipulation in Runaway Horses by Mishima Yukio
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