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Wartime Shakespeare: performing narratives of conflict

Abstract:
This is the first book-length, interdisciplinary study of how Shakespeare has been mobilized in performance at times of conflict spanning the eighteenth to the twenty-first century. It sets out a brand-new critical methodology that recognizes how wartime theatre is mediated by networks of production and reception that control its meaning and impact. Performances of Shakespeare's plays, like the texts themselves, do not have single or fixed meanings, and one production context often brings together conflicting agendas and responses. Amy Lidster explains how differing productions of Shakespeare shed light on issues at the heart of conflicts and negotiate concepts such as patriotism, commemoration, and propaganda. With wide-ranging transhistorical coverage, she argues that wartime Shakespeare is defined by its malleability and plural (mis)understandings, which determine its power to shape the experience of war, the political issues at stake during a period of crisis, and the construction of narratives of conflict.
Publication status:
Published
Peer review status:
Peer reviewed

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Files:
Publisher copy:
10.1017/9781009356053

Authors


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Institution:
University of Oxford
Division:
HUMS
Department:
English Faculty
Oxford college:
Jesus College
Role:
Author
ORCID:
0000-0002-1014-1523


Publisher:
Cambridge University Press
Place of publication:
Cambridge / New York
Publication date:
2023-10-12
Acceptance date:
2023-05-01
Edition:
1
DOI:
EISBN:
9781009356053
ISBN-10:
1009356062
ISBN-13:
9781009356060


Language:
English
Keywords:
Pubs id:
1492932
Local pid:
pubs:1492932
Deposit date:
2023-07-16

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