- Abstract:
-
Recently, Vuoskoski, Thompson, Clarke, and Spence (2014) demonstrated that visual kinematic performance cues may be more important than auditory performance cues in terms of observers’ ratings of expressivity perceived in audiovisual excerpts of piano playing, and that visual kinematic performance cues had crossmodal effects on the perception of auditory expressivity. The present study was designed to extend these findings, and to provide additional information about the roles of sight and so...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Version:
- Accepted manuscript
- Files:
-
-
(pdf, 566.9KB)
-
- Publisher copy:
- 10.1525/mp.2016.33.4.457
-
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- Publisher:
- University of California Press Publisher's website
- Journal:
- Music Perception Journal website
- Volume:
- 33
- Issue:
- 4
- Pages:
- 457-471
- Publication date:
- 2016-04-07
- Acceptance date:
- 2015-02-20
- DOI:
- EISSN:
-
1533-8312
- ISSN:
-
0730-7829
- Pubs id:
-
pubs:642538
- URN:
-
uri:7067f037-6c4f-4ef8-9fdd-cc34b4adb993
- UUID:
-
uuid:7067f037-6c4f-4ef8-9fdd-cc34b4adb993
- Local pid:
- pubs:642538
- Paper number:
- 4
- Copyright holder:
- Regents of the University of California
- Copyright date:
- 2016
- Notes:
- © 2016 by The Regents of the University of California. This is the accepted manuscript version of the article. The final version is available online from University of California Press at: 10.1525/mp.2016.33.4.457
Journal article
Interaction of sight and sound in the perception and experience of musical performance
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