Journal article
From photography to film and back again: Helmar Lerski’s dramaturgy of the human face
- Abstract:
-
Like few other Weimar photographers, Helmar Lerski (1871-1956) embodies the intertwined paths of photography and film in the period. In the course of his career, he moved smoothly and almost effortlessly between the two media; his work is the result of a genuine cross-fertilization between photography and film. Born Israel Schmuklerski in Strasbourg, Lerski emigrated from Switzerland, where his parents had settled in 1876, to the US at the age of 17. He became an actor performing with German ...
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- Publication status:
- Published
- Peer review status:
- Peer reviewed
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Authors
Bibliographic Details
- Publisher:
- University of Wisconsin Press Publisher's website
- Journal:
- Monatshefte Journal website
- Volume:
- 109
- Issue:
- 2
- Pages:
- 229-242
- Publication date:
- 2017-06-01
- Acceptance date:
- 2016-11-20
- EISSN:
-
1934-2810
- ISSN:
-
0026-9271
- Source identifiers:
-
668380
Item Description
- Pubs id:
-
pubs:668380
- UUID:
-
uuid:6e67d9a7-3bc5-4537-8579-4cb78e034f25
- Local pid:
- pubs:668380
- Deposit date:
- 2017-01-06
Terms of use
- Copyright date:
- 2017
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