Conference item
Ruling the Roost: Louisa Pyne’s ‘Rules and Regulations’ for running an opera company
- Abstract:
- These printed sets of rules are my chosen operatic objects, two sets to be precise, ones that regulated the behavior of the performers at two of London’s opera venues. One was the King’s Theatre, or the Opera House, the institution that (for much of the 18th and early 19th centuries) was the venue for the performance of foreign language opera and dance. The second was that venue’s successor, the Theatre Royal, Covent Garden, which took over from the King’s Theatre in the early 1840s as London’s premier home of elite opera and dance.
- Publication status:
- Not published
Actions
Access Document
- Files:
-
-
(Accepted manuscript, pdf, 126.9KB)
-
Why is the content I wish to access not available via ORA?
Bibliographic data (the information relating to research outputs) and full-text items (e.g. articles, theses, reports, etc.) arrive in ORA from several different sources. Unfortunately we are not able to make available the full-text for every research output.
Please contact the ORA team (
) if you have queries regarding unavailable content OR if you are aware of a full-text copy we can make available.
) if you have queries regarding unavailable content OR if you are aware of a full-text copy we can make available.
Content may be unavailable for the following four reasons
-
Version unsuitable
-
We have not obtained a suitable full-text for a given research output. See this page for more information.
-
Recently completed
-
Sometimes content is held in ORA but is unavailable for a fixed period of time to comply with the policies and wishes of rights holders.
-
Permissions
-
All content made available in ORA should comply with relevant rights, such as copyright. See this page for more information.
-
Clearance
-
Some thesis volumes scanned as part of the digitisation scheme funded by Dr Leonard Polonsky are currently unavailable due to sensitive material or uncleared third-party copyright content. We are attempting to contact authors whose theses are affected.
Alternative access to the full-text
You may be able to access the full-text directly from the publisher's website using the 'Publisher Copy' link in the 'Links & Downloads' box from a research output's ORA record page. This method may require an institutional or individual subscription to the journal/resource.
Authors
Bibliographic Details
- Journal:
- Operatic Objects 2017 Journal website
- Host title:
- Operatic Objects 2017
- Publication date:
- 2017-03-18
- Acceptance date:
- 2017-03-18
- Source identifiers:
-
686924
Item Description
- Pubs id:
-
pubs:686924
- UUID:
-
uuid:6ccf545e-5997-4413-9c4a-dbee360bb21b
- Local pid:
- pubs:686924
- Deposit date:
- 2017-03-23
Terms of use
- Copyright date:
- 2017
- Notes:
- This article was presented at the conference "Operatic Objects" (18 March 2017: London, UK). It has not been published.
If you are the owner of this record, you can report an update to it here: Report update to this record