- Abstract:
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Parmi la postérité protéiforme du film-culte d’Alain Resnais, Hiroshima mon amour, il y a Nô (1998) du cinéaste et dramaturge québécois Robert Lepage. Nô constitue un étonnant hommage au chef-d’œuvre de Resnais qu’il croise, de façon tout à fait inédite, avec la comédie-bouffe de Feydeau. Jusqu’à présent, la critique s’est contentée de mentionner au passage la référence intertextuelle sans pour autant montrer à quel point, et a fortiori comment et pourquoi, Nô s’imprègne de l’œuvre de Resnais...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Version:
- Accepted Manuscript
- Files:
-
-
(pdf, 490.2KB)
-
- Publisher copy:
- 10.3828/qs.2016.19
-
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- Publisher:
- Liverpool University Press Publisher's website
- Journal:
- Quebec Studies Journal website
- Volume:
- 62
- Pages:
- 117–135
- Publication date:
- 2016-12-16
- Acceptance date:
- 2016-06-06
- DOI:
- EISSN:
-
2052-1731
- ISSN:
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0737-3759
- Pubs id:
-
pubs:661156
- URN:
-
uri:6bd7e390-4c4f-44aa-9f41-5fdf8815099e
- UUID:
-
uuid:6bd7e390-4c4f-44aa-9f41-5fdf8815099e
- Local pid:
- pubs:661156
- Copyright holder:
- Liverpool University Press
- Copyright date:
- 2016
- Notes:
-
Copyright © 2016 Liverpool University Press. This is the accepted manuscript version of the article. The final version is available online from Liverpool University Press at: https://doi.org/10.3828/qs.2016.19
Journal article
Nô de Robert Lepage, ou Hiroshima mon amour revu par Feydeau
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