- Abstract:
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This article sets out new methodological principles for the sociology of art, a sub-discipline that it seeks to broaden conceptually by shifting the ground from art to cultural production. This shift suggests the utility of overcoming the boundaries that demarcate the sociology of art from adjacent fields, augmenting the sociological repertoire with reference to anthropology, cultural and media studies, art and cultural history, and the music disciplines. At the same time the article proposes...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Version:
- Accepted Manuscript
- Files:
-
-
(pdf, 340.5KB)
-
- Publisher copy:
- 10.1177/1749975510368471
-
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- Publisher:
- SAGE Publications Publisher's website
- Journal:
- Cultural Sociology Journal website
- Volume:
- 4
- Issue:
- 2
- Pages:
- 171-208
- Publication date:
- 2010-07-01
- DOI:
- EISSN:
-
1749-9763
- ISSN:
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1749-9755
- Pubs id:
-
pubs:103806
- URN:
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uri:5b050e0a-b67e-4af3-b000-4ed6dcec57e5
- UUID:
-
uuid:5b050e0a-b67e-4af3-b000-4ed6dcec57e5
- Local pid:
- pubs:103806
- Keywords:
- Copyright holder:
- Born, G
- Copyright date:
- 2010
- Notes:
-
Copyright © The Author(s) 2010
This is the accepted manuscript version of the article. The final version is available online from SAGE Publications at: 10.1177/1749975510368471
Journal article
The social and the aesthetic: for a post-Bourdieuian theory of cultural production
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