Folio no.	Paraphrase	Source	Building block	More details		"Primary text cited: De Moor, Geertruida. Twee Vrouwen van de Devotio Moderna. De Geschriften en de Invloed van Jacomijne Costers en Mechtild van Rieviren. (dissertation) 2011."
f. 2r	Jacomijne receives Extreme Unction.	Sacrament	Locus of deathbed scene.			
f. 2r	Jacomijne shows no “leetwesen haerder sonden” (no penitence regarding her sins).	Penitential formula.	Locus of confession.			
f.3r	Devil holds immense book containing every single word that Jacomijne ever said or thought.	Ps. 68 and 138 (Vulgate).	Res memorabiles; intentiones; simulacra (intentiones changed).			
f. 3v	"Jacomijne's ""own sins"" have separated her from God and holy church."	Confiteor.	Locus of Confiteor; negative intentiones amplified.			
f. 5r	"Jacomijne sees ""an image of a crucifix"", with Christ's body monstrously contorted and his bones countable."	"Ps. 53 and Ps. 21:15, 18 (Vulgate): liturgy of Wednesday of Holy Week. Notion of countable bones: associated with Maundy Thursday Mass and Tenebrae (Bestul 28)."	Holy week locus (background); Res memorabiles; intentiones; simulacra (all intensified).			
f. 5r–v	Jacomijne is inexpressibly afraid of the Divine Judgment about to be pronounced over her.	1. Cor. 2.9 – often quoted in the context of ineffability.	Intentio changed from positive to negative; intentiones of preparation also changed			
f. 5v	Jacomijne is in a trance for three hours – “het sevende tot het tiende uur”.	Liturgical time.	Ductus and loci transferred from Christ's dying to Jacomijne's dying.			
f. 6r	"Jacomijne's praying of the hours without attention likened to being ""idle in words and work""."	Confiteor	Locus kept to support reformist project. 			
f. 7r	"Jacomijne prays to Christ “by thy blessed torn body, and by thy holy bloody sweet wounds”."	Recalls litany (cf. van Wijk 152).	"Locus and res memorabiles (instead of praying for others' souls, she now prays for her own)."			
p.7v	Text contains echoes of Is. 63.5.	Is. 63.5 and Wednesday in Holy Week (Bestul 28).	Locus of Holy Week applied to Jacomijne's dying process and liminal state.			
f. 108r	"Sins are categorized: ""wooden wercken en gedachten soo vant vleesch als andersins"""	Confiteor 	Locus which with to classify sins; intentio changed as it concerns her keeping from those sins.			
f. 15r	Christ speaks to Jacomijne and commands her to behold his body.	Lam. 1.12 and Tenebrae.	Locus and res memorabiles kept; intentiones of forgiveness changed to wrath			
f. 15r–v	Jacomijne gazes upon Christ's tormented body and is able to count his bones; Christ's tormented body appears ineffably ugly.	"Ps. 21 and 1 Cor. 2.9, with undertones of Isaiah's suffering servant."	Locus and res memorabiles used to underscore horrors of vision.			
f. 20r; 20v	Pit of hell becomes a paradoxical space. 	Paradoxical space of the soul in Scripture and St Augustine.	Locus and res (intentiones of res reversed).			
f. 20v	"Vision is described as intromission, impressing compassion, and as ineffable."	calqued upon 1 Cor. 2.9.	Locus of ineffability bolsters visionary credibility.			
"f. 21v,22r; "	Jacomijne is given a stick with five protuberances. 					
"f. 21v,22r; "	"The upper protuberance reads: ""Misericordiam et iudicium cantabo tibi domine"""	Ps. 100. 1.	Res memorabiles; intentiones; simulacra; supports application	Stick is a res as well as the gist of the Psalm. 		
f. 21v	"Second one reads: ""Deus ultonium dominus"" "	Ps. 93. 1.	Res memorabiles; intentiones; simulacra; support reformist project.			
f. 21v	"3rd protuberance reads: ""Beati immaculati in via""."	Psalm 118.1 (theme of walking)	Res memorabiles; intentiones; simulacra; support reformist project.			
f. 21v	"4th protuberance reads: ""Sacrificium deo spiritus con""."	" Ps. 50.19 ( Miserere Mei, a penitential psalm)"	Res memorabiles; intentiones; simulacra; support reformist project.			
f. 21v	"5th protuberance reads: ""Elegi abiectus esse in domo dei."""	Ps. 83.11.	Res memorabiles; intentiones; simulacra;  support reformist project.			
f. 24r–v	The guardian angel moves Jacomijne's tongue; one apparent year in purgatory turns out to be the duration of seven penitential Psalms and the Litany                                                             	Seven penitential Psalms and the Litany	Locus of liturgical texts; used to underscore paradoxical time of vision.			
f. 26v 	"Jacomijne experiences the Beatific vision and sees all things and all times in God without any mediation, in a manner entirely unlike any human observation of the smallest thing."	"Invokes 1 Cor. 2.9, Col. 1.15–17, and Wisd. of Sol. 11:22–25."	Ductus and locus kept but amplified	"Marks end of vision, so the liturgical reference serves a structuring purpose."		
f. 27r	"After kissing Jesus’ feet and then kissing Mary's mouth, Jacomijne is commanded by Christ to pray the “Fifteen O’s” and to teach others the Rosary."	Fifteen Oes and the Rosary.	Locus kept to support didactic project.			
f. 27r–v: 	Jacomijne is commanded by the BVM to pray Hail Marys and the Magnificat to protect against sinning through her senses	Magnificat and Hail Marys.	Locus kept to support didactic project.			
f. 31r	"After this ordeal, Jacomijne's body bears a wound near to her heart “from which daily thin pus, half water, flowed and on Fridays, before nones ” as a sign of her having stood before the seat of judgement; this blood is impossible to remove from textiles."	Passion Psalm cycles.	Ductus and res of Christ's body assimilated to res of Jacomijne's body.			
f. 56v	"Express invitation to prayer:“Oh blessed soul pray for us, so that we may follow in your holy footsteps”."	Invokes collects.	Locus and partial ductus as well to inspire intentiones of admiratio towards holy woman.			
f. 28r–v	 Jacomijne afterwards often receiving “comfort and revelations” when singing or reading the Magnificat and particularly the phrase “and my spirit has rejoiced in God my saviour” .	Magnificat	"Intentiones, res, simularacra; validate Jacomijne's vision as expounding the Word made flesh, if read according to Laura Saetveit Miles' argument about the BVM as mediating the visions of women visionaries (115–174) ."