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Disegno a stampa, disegno a mano and the development of the independent landscape drawing in Renaissance Venice

Abstract:

In studies of Venetian art of the late fifteenth and early sixteenth centuries primacy is generally given to paintings, because of the radical experimentation of artists such as Giorgione and Titian with the oil painting technique and with new subject matter, including taking the nature of painting itself as a theme. A tendency in art history is to attribute innovation mainly to painting, and to see drawings and prints in terms of the emulation of these achievements. For example, it is genera...

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Publication status:
Published
Peer review status:
Peer reviewed

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Institution:
University of Oxford
Division:
GLAM
Department:
Ashmolean Museum
Oxford college:
St John's College
Role:
Author
Publisher:
Michael Imhof Verlag Publisher's website
Journal:
Beyond Disegno Journal website
Pages:
128-145
Host title:
Jenseits des disegno: Die Entstehung selbstständiger Zeichnungen in Deutschland und Italien im 15. und 16. Jh.
Publication date:
2018-10-17
Acceptance date:
2018-03-16
Source identifiers:
829882
ISBN:
9783731904595
Pubs id:
pubs:829882
UUID:
uuid:4abc1388-113b-4788-bdc7-f926b3964dd4
Local pid:
pubs:829882
Deposit date:
2018-03-16

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