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Disegno a stampa, disegno a mano and the development of the independent landscape drawing in Renaissance Venice

Abstract:

In studies of Venetian art of the late fifteenth and early sixteenth centuries primacy is generally given to paintings, because of the radical experimentation of artists such as Giorgione and Titian with the oil painting technique and with new subject matter, including taking the nature of painting itself as a theme. A tendency in art history is to attribute innovation mainly to painting, and to see drawings and prints in terms of the emulation of these achievements. For example, it is genera...

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Publication status:
Published
Peer review status:
Peer reviewed

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Institution:
University of Oxford
Division:
Gardens, Libraries and Museums
Department:
Academic Services; Ashmolean Museum
Oxford college:
St Johns College
Role:
Author
Publisher:
Michael Imhof Verlag Publisher's website
Pages:
128-145
Publication date:
2018-10-17
Acceptance date:
2018-03-16
Pubs id:
pubs:829882
URN:
uri:4abc1388-113b-4788-bdc7-f926b3964dd4
UUID:
uuid:4abc1388-113b-4788-bdc7-f926b3964dd4
Local pid:
pubs:829882
ISBN:
978-3-7319-0459-5

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