- Abstract:
-
Several extended similes interspersed throughout A la recherche du temps perdu imply Proust's dismissive attitude towards programme notes, an opinion which is shared by Debussy and can be considered a reaction against composers such as Liszt and Berlioz. Nonetheless, Malcolm Bowie is right to highlight that in the novel descriptions of Vinteuil's music do resemble those of a programme-note writer, and indeed in the septet episode a concert programme is evoked in more flattering terms. And yet...
Expand abstract - Publication status:
- Published
- Publisher copy:
- 10.1093/fmls/cqr030
-
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- Journal:
- FORUM FOR MODERN LANGUAGE STUDIES
- Volume:
- 48
- Issue:
- 1
- Pages:
- 30-45
- Publication date:
- 2012-01-05
- DOI:
- EISSN:
-
1471-6860
- ISSN:
-
0015-8518
- URN:
-
uuid:42a01c30-7014-4551-ace8-717f26af2fcd
- Source identifiers:
-
426088
- Local pid:
- pubs:426088
- Language:
- English
- Keywords:
- Copyright date:
- 2012
Journal article
PROUST'S NOTES TO THE IMAGINARY MUSIC OF VINTEUIL: A LA RECHERCHE DU TEMPS PERDU AND THE PROGRAMME MUSIC CONTROVERSY
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