- Abstract:
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This article examines Furukawa Hideo’s 古川日出男 Umatachi yo, soredemo hikari wa muku de 馬たちよ、それでも光は無垢で (Horses, Horses, in the End the Light Remains Pure, 2011) and Kawakami Hiromi’s 川上弘美 Kamisama 2011神様 2011 (God Bless You, 2011, 2011), two 3.11 narratives which employ intertextuality to construct radical counter-narratives to trauma. As re-writings of earlier source texts by the respective authors, these intertextual narratives draw the reader into a dynamic relationship with the text, creatin...
Expand abstract - Publication status:
- Published
- Peer review status:
- Peer reviewed
- Version:
- Accepted Manuscript
- Files:
-
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(pdf, 740.4KB)
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- Publisher:
- International Research Center for Japanese Studies Publisher's website
- Journal:
- Japan Review Journal website
- Volume:
- 31
- Pages:
- 141–169
- Publication date:
- 2017-12-26
- Acceptance date:
- 2017-01-31
- ISSN:
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0915-0986
- Pubs id:
-
pubs:676063
- URN:
-
uri:4031b04d-7471-4ffd-acc1-1f4c517f31b8
- UUID:
-
uuid:4031b04d-7471-4ffd-acc1-1f4c517f31b8
- Local pid:
- pubs:676063
- Copyright holder:
- Linda Flores
- Copyright date:
- 2017
- License:
- CC BY-NC-ND
Journal article
Matrices of time, space and text: intertextuality and trauma in two 3.11 narratives
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