Journal article
'In the mood': Peer Gynt and the affective landscapes of Grieg's Stemninger, op. 73
- Abstract:
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Edvard Grieg's prelude to the fourth act of Henrik Ibsen's “dramatic poem” Peer Gynt (1867/76), “Morning Mood,” is among the best-loved passages in the repertoire. Commonly assumed to invoke Norway's iconic western fjords, the prelude in fact sets the stage for Ibsen's eponymous wanderer, washed up on the Moroccan coast. Commentators have recently argued for a more nuanced and multilayered response to the sense of place in Grieg's score, but the idea of “mood,” and its relationship with lands...
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- Publication status:
- Published
- Peer review status:
- Peer reviewed
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(Version of record, pdf, 284.6KB)
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- Publisher copy:
- 10.1525/ncm.2016.40.2.106
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Authors
Bibliographic Details
- Publisher:
- University of California Press Publisher's website
- Journal:
- 19th-Century Music Journal website
- Volume:
- 40
- Issue:
- 2
- Pages:
- 106-130
- Publication date:
- 2016-11-22
- Acceptance date:
- 2016-03-01
- DOI:
- EISSN:
-
1533-8606
- ISSN:
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0148-2076
Item Description
- Keywords:
- Pubs id:
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pubs:608587
- UUID:
-
uuid:0b0fd671-551a-4852-8256-35b9a4aa0878
- Local pid:
- pubs:608587
- Deposit date:
- 2016-11-09
Terms of use
- Copyright holder:
- Regents of the University of California
- Copyright date:
- 2016
- Notes:
- Published as “In the Mood:” Peer Gynt and the Affective Landscapes of Grieg's Stemninger, op. 73. © 2016 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center.
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